RODRIGUEZ PAVILION

Translating to “1,000 Colors,” Mille Colori certainly lives up to its name. This breathtaking 14-foot glass sculpture by renowned artist, Dale Chihuly, is made up of 520 separate blown-glass pieces and hangs as a permanent fixture in our sunlit Rodriguez Pavilion, which was built specifically to showcase the modern masterwork. As our only permanent work of art on view, Mille Colori can be experienced year-round and has been seen by thousands of visitors throughout the years.

HISTORY

In 1996, artist Dale Chihuly created 15 enormous chandeliers, placing them under bridges and across the Venetian canals as a tribute to the biennale Aperto Vetro. The result was an electrifying, unforgettable experience. Several of these works were re-sited at the Contemporary Art Center of Virginia (now the Virginia Museum of Contemporary Art) for the Art of Glass exhibition in 1999, including the multicolored Isola di San Giacomo in Palude chandelier. In 2003, Chihuly's colorful chandelier Isola di San Giacomo in Palude II was purchased through private donations and retitled Mille Colori. Permanently installed at the Virginia Museum of Contemporary Art, Chihuly's 14-foot tall sculpture hangs just above the heads of visitors in the center of the sunlit Rodriguez Pavilion.

ABOUT DALE CHIHULY

Often called "the world's greatest living artist," Dale Chihuly has single-handedly changed the glass world with his elaborate and extraordinary works. His retrieval of ancient glass-blowing techniques and his founding of the Pilchuck Glass School, the most prominent glass-working school in the world, are both groundbreaking moments in contemporary glass art. In his Seattle "hot shop," he and his team of glassblowers push the limits of molten glass, darting across the room like dancers, their movements choreographed by the master.